Tuesday, November 10, 2015

Nina Talks Writing and Water on "Liquid Lunch" That Channel TV

I recently appeared on That Channel to discuss the writing process and my upcoming book on water called "Water Is...", due early in 2016.

Here's the interview with Hugh Reilly and Hildegard Gmeiner:

The final cover by Aurora finalist Costi Gurgu is out and here it is! More on the cover and the book later...

Hugh Reilly
Hildegard Gmeiner
Nina Munteanu

Thursday, September 17, 2015

Nina Teaching SF Writing Course at George Brown College FALL 2015

I'm back at George Brown College, teaching my 12-week long writing course on how to write science fiction. "Creating Science Fiction" is now part of George Brown's Creative Writing Certificate.

The 12-week course starts SEPTEMBER 22 (TUESDAY)  and runs until DECEMBER 8th. See the description below:

Called “Creating Science Fiction”, the course runs TUESDAY nights from 6:15 to 9:15 starting September 22nd through to December 8th and costs $285.

Meant for both beginning writers and those already published, the 12-week course is run like a workshop with student input and feedback on student’s WIPs. Munteanu explores with students the essential tools used in the SF genre (including world building, research and plot approaches). “Students will work toward a publishable original piece by learning to generate and follow through with premise, idea and theme,” says Munteanu.

George Brown College is located on 200 King Street, Toronto, Canada.

Sunday, August 2, 2015

Limestone Genre Expo—July 2015

I recently attended the inaugural festival of the Limestone Genre Expo (July 25, 2015) in
Kingston waterfront
Kingston, Ontario. The festival gets its name from the city’s moniker, based on the many heritage buildings constructed there using local limestone.

It would have been a very long trip from my digs in Nova Scotia; but I’m currently in Toronto, teaching writing at UofT and George Brown College. I still had to get up earlier than I normally do to get to the 1-day festival that started at ten in the morning.
It was worth it.
Derek Newman-Stille
Organizers Liz Strange, Barry King, Delina MacDonald and Marlene Smith nailed everything right. Being the first of hopefully many more, this writers’ festival wisely started small. But, like the good Doctor’s tardis, the venue belied its size by being dense with quality and diversity.
Alison Sinclair
The Ongwandada Resource Centre, where the festival was held, had lots of parking with a friendly well-lit ambience inside under an atrium with tables and chairs for gathering and several rooms for panels and workshops.
The festival covered several of the major genres such as fantasy, science fiction, horror, romance and mystery, with representation by well-known authors in each. Organizers offered a triple track program from 10 am to 5 pm that included panels, informative workshops, readings, novel pitch sessions with CZP and Bundoran Press and first page critiques with Caro Soles.
Festival organizers populated their program with well-established writers from their own communities. Readers of genre fiction and writers looking to learn and network were given the opportunity to meet some of the top genre writers in the region. The venue included a book fair, box lunches and a snack stand. The only thing missing was a primo coffee bar.
Marie Bilodeau
Doug Smith
The small venue provided an intimate setting for great networking. I had a chance to meet many of my old friends and to make new ones. Marie Bilodeau, an Ottawa fantasy writer, gave an exquisite reading of her new series “Nigh”. Alison Sinclair, recently moved to Ottawa, beamed as she showed me the new release of her Eyre series, “Contagion” by Bundoran Press. 

Aurora-winning short story author Douglas Smith gave an informative workshop on how to market and sell your short stories. His excellent guidebook “Playing the Short Game” sold for a special festival price. I caught Derek Newman-Stille sitting in the lounge over a box lunch and discussed his radio show in Peterborough and traded stories with Hayden Trenholm, publisher of Bundoran Press and aurora-winning author of the Steeles Chronicles. Other writers who I had a chance to visit with and meet included Caro Soles, Sandra Kasturi (of Chizine), Alyssa Cooper, Eve Langlais, Matt Moore, Nancy Kilpatrick, Matthew Johnson, and Violette Malan.
Hayden Trenholm

Eve Langlais
The organizers—themselves published genre writers (Strange writes fantasy, horror and mystery and just released her first science fiction novel, “Erased”; King writes science fiction)—started the festival in response to an observed need to showcase genre writers in the Kingston area, otherwise rich in non-genre writing festivals. “Kingston is in an interesting position because we do have so many writers and we do have the WritersFest and so on,” explained King to Peter Hendra of the Kingston Whig-Standard. King felt there was room to showcase this literature in Kingston and the surrounding area.

Liz Strange
“I find that genre fiction can sometimes be seen on a lower status as ‘literary fiction’, and that stings,” Strange confided to me. “I thought [the LGE] would succeed because there are not that many festivals of this sort, and after we put feelers out to see who might be interested in attending the positive responses were overwhelming.”

Strange added that “nerd culture” these days is more mainstream than in the past, thanks to George R.R. Martin’s Game of Thrones and Stephanie Meyer’s Twilight series. Strange concluded that this is a good thing for writers of romance, sci-fi, horror, mystery and fantasy and observed that genres are blending a lot more (e.g., historical fantasy, paranormal romance, etc.). I personally write mostly blended genres: science fiction thrillers; SF eco-fiction; historical fantasy and romantic SF.
I asked Strange for her opinion on whether the festival was a success and what the organizers plan to do for next year. She gave a resounding yes; they had double the numbers they’d hoped for and didn’t lose money (a common challenge with writing festivals). With most events tending to be in spring or fall, they chose summer, which worked well and showed off Kingston.
Based on the feedback and success of the con, it looks like the festival next year will run two days.
Liz Strange, Marlene Smith, Barry King, Delina MacDonald
Now that’s great news!

Friday, June 5, 2015

Submission Call for "My Canada" Anthology

IOWI has sent out a submission call for its anthology "My Canada", an anthology devoted to stories, poems, articles and images about Canada.

Deadline: July 30th... EXTENDED TO AUGUST 31st
Submission Guidelines: see the IOWI site
Chief Submission Editor: Nina Munteanu
Contribution Fee: $113; only those accepted for publication are expected to pay the fee, which covers the cost of 10 copies of the anthology.

"My Canada" Anthology

Canada is a vast country of diverse and exciting history, a climate and environment that spans from the boreal forests of the Canadian Shield, muskegs of northern BC, and tundras of the Arctic Circle to the grasslands of the Prairies and southern woodlands of Ontario and Quebec. 
We live in one of the wealthiest countries in the world, with the 8thhighest per capita income globally, and the 8th highest ranking in the Human Development Index. Canada ranks among the highest in international measurements of government transparency, civil liberties, quality of life, economic freedom, and education. It stands among the world's most educated countries—ranking first worldwide in the number of adults having tertiary education with 51% of adults holding at least an undergraduate college or university degree. With two official languages, Canada has a thriving Aboriginal population and practices an open cultural pluralism, creating a cultural mosaic of racial, religious and cultural practices.  
Canada’s symbols are influenced by natural, historical and Aboriginal sources. Prominent symbols include the maple leaf, the beaver, Canada Goose, Common Loon, the Royal Canadian Mounted Police, the polar bear, the totem pole, and Inuksuk.
The “My Canada” Anthology celebrates this beautiful and wonderful country, from its vast wilderness, great open waters, flat prairies and farm communities to its industry, technology and historical cities.

Call for Submissions

We are looking for original, unique works about what it means to live and be in Canada.  Works may include one of the following: short story, poetry, creative non-fiction, essay.
While the nature of your work may encompass a diversity of expression (e.g., discovery, tragedy, betrayal, endurance, isolation, exploration, transcendence, triumph, humor, inspiration, community) the work needs to portray Canada and being Canadian in a positive light. No Canada-bashing.
You may submit on any topic or sub-theme that speaks to being and living in Canada. However, the editors particularly enjoy works that express metaphoric journeys that span Canada’s own diverse ecosystems, particularly the harsher places. Canadian topics we would like to see include:
  • Journey in Nature & Wilderness
  • Life in one of Canada’s harsher climates
  • Historical discoveries and meanings to self
  • Overcoming and surviving weather calamity or other natural phenomenon (e.g., ice storms)
  • Traditions of family, friends & community
  • Canadian city/town phenomena
  • Canadian activities (e.g., street or ice hockey, skiing, quilting, baking, etc.)
  • Canadian heralds & symbols
  • Art & photography
  • Mythology, folktales and traditional tales (e.g., Aboriginal stories / experiences; others)
  • Coming to Canada / leaving Canada
  • Traveling within or outside of Canada
In all cases, how these observations and experiences affected you philosophically, spiritually, intellectually and viscerally should infuse the work; whether it is a poem, short story or essay, the work should celebrate Canada and being a Canadian. See the specific guidelines below for each narrative form.

Voice and Language

In keeping with the multicultural nature of Canada, the intent of this anthology is to fully represent a diversity of writing voices, styles and use of vernacular. The editors reserve the right to reject any work we deem unsuitable for our intended audience. This may include inappropriate subject matter and inappropriate use of expletives or offensive terms. We will not accept any works that promote racism, bigotry, prejudice or other forms of disrespect.

Sunday, May 10, 2015

Nature Cooperating & Laguna’s Bottlenose Dolphins

Dolphins helping fishermen catch mullet
A few posts back, I discussed the phenomenon called “endosymbiosis” by Dr. Lynn Margulis, who posited a cellular evolution based on ‘cooperation’ rather than simple ‘competition’ between viral or bacterial infection and host cell. This co-evolutionary behaviour runs counter to the traditional route of natural selection and contradicts the ruthless selfishness of Neo-Darwinian thinking. Such an evolving relationship between two different species of life, living together in a very close affinity of mutual benefit is, in fact, common in nature.
Co-evolution (and cooperation by default) is now an established theme in the biology of virus-host relationships. Relationships span from the complex interaction between arboviruses and their vector mosquitoes to the one between the malaria-causing plasmodium and humans or the hantavirus and the deer mouse. Virologist, Frank Ryan states that “today...every monkey, baboon, chimpanzee and gorilla is carrying at least ten different species of symbiotic viruses.”

Russian biologists, Andrei Famintsyn and Konstantine Merezhkovskii invented the term “symbiogenesis” to explain the fantastic synthesis of new living organisms from symbiotic unions. Citing the evolution of mitochondria and the chloroplast within a primitive host cell to form the more complex eukaryotic cell (as originally theorized by Lynn Margulis), Ryan noted that, “it would be hard to imagine how the step by step gradualism of natural selection could have resulted in this brazenly passionate intercourse of life!”
A new science is emerging that recognizes a far more intelligent (and cooperative means) evolution, aptly described by Margulis, "through the long-lasting intimacy of strangers." The fusion of symbiosis followed by natural selection leads to increasingly complex levels of individuality, Margulis suggested. She contended that evolution proceeds through cooperation, not competition: "Life did not take over the globe by combat, but by
Examples of such networking, including interspecies cooperation, mutualism and altruism abound in Nature.
In Africa birds called ox-peckers perch on the backs of large animals such as giraffes and cattle, and remove insects. The ox-peckers also warn of approaching danger through their cries and disturbed flight. Defenseless fish live unharmed amid the stinging tentacles of jellyfish, and birds such as the wheatear may nest in rabbit burrows. Many flowering plants are pollinated by insects, flitting from flower to flower for their nectar. Some flowers are shaped to suit a particular insect. Seeds are distributed by animals. Birds eat fleshy seeds and transport them. The burrs on plants such as burdock have hooks that may catch on to fur and feathers.

Enter the dolphin… Perhaps one of the best examples of interspecies cooperation (or mutualism and altruism). In 2008 Aubrey Manning (Emeritus Professor of Natural History at Edinburgh University) wrote in the Daily Mail of a female dolphin who selflessly saved a beached mother whale and her calf off Mahia Beach in New Zealand. The bottlenose dolphins off Laguna in Brazil have developed a cooperative relationship with the local fishermen…  
"Through highly synchronized behavior with humans, cooperative dolphins in Laguna drive mullet schools towards a line of fishermen and 'signal,' via stereotyped head slaps or tail slaps, when and where fishermen should throw their nets," wrote lead author Fabio Daura-Jorge of the Federal University of Santa Catarina. The cooperation is helpful to both parties, he said.
New research has found that one local group of about 20 dolphins works with the fishermen, while other local dolphins don't cooperate, finding other sources of food. A study published in the latest Royal Society Biology Letters found that the most helpful ones are also particularly cooperative and social with each other.
Dolphins help fishermen catch mullet
About 200 local artisanal fishermen are almost entirely reliant on the dolphins for catching their fish," Daura-Jorge wrote. The fishermen only fish with the assistance of cooperative dolphins, recognized and named.

The cooperation behavior may be passed down from mother dolphin to her calves through social learning, reflecting how the trait is passed down by the fishermen: Elders in the community teach the younger fishermen how to work with the dolphins.

We tend to exclude the rest of animal and plant life from exhibiting the highest form of intelligence: that of cooperation and altruism. Many of us—if we even accept the existence of true altruism—consider it an exclusively human quality. This is a hubristic remnant of a “conquest” mentality in which humanity identifies itself as separate from Nature. It blinds us from a reality that lies right before us. We cannot see what we don’t look for; we can’t know what we don’t believe.

We rely on science to answer questions we already “know” the answers to, because we have lost a sense of Unity. And as Goethe said of conventional scientists, “Whatever you cannot calculate, you do not think is real.”

Richard Tarnas, author of The Passion of the Western Mind posits that the evolution of the Western mind has been driven by a “heroic impulse to forge an autonomous rational human self—a transforming self—by separating it from the primordial unity with nature.” Tarnas suggests that it began four millennia ago, with the great patriarchal nomadic conquests in the Mediterranean. Conquests that embraced “the repression of undifferentiated unitary consciousness and the participation mystique with nature; a denial of the anima mundi, of the soul of the world, of the community of being, of the all-pervading, of mystery and ambiguity, of imagination, emotion, instinct, body, nature, woman.”
Goethe and others like him believed that the human mind is ultimately the organ of the world’s own process of self-revelation. In this view, Nature is not a separate, independent self-contained reality to be ‘objectively’ examined by humanity from without; rather, its unfolding truth emerges only with the active participation of the human mind. It is something that comes into being through the very act of human cognition.

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