Tuesday, October 9, 2007

Choices and Quantum Physics



Have you ever stopped your car at a 4-way stop, along with several other cars, and all found yourselves in a protracted hesitation? No one remembers who got there first—we all sort of drifted to the stop as if in a dream and entered a kind of twilight zone. Invariably, everyone decides to move forward at the same time, only to halt in mild panic. Then one feisty individual finally forges ahead and establishes a pattern that all can follow. Everyone breathes a collective sigh and life moves on.
Life’s full of choices. In fact, the quantum physicists would tell you that life is really a series of non-stop choices—from that big stretch before you haul yourself out of bed in the morning to the decision to bake salmon burgers for supper that evening—resulting in an infinite number of realizable worlds. The Everett many-worlds interpretation (MWI), formulated in 1956 by Hugh Everett, holds that all the possibilities described by quantum theory simultaneously occur in a "multiverse" composed of mostly independent parallel universes. This represents an alternative to the Copenhagen interpretation originally formulated by Niels Bohr and Werner Heisenberg around 1927. The state of the entire multiverse is related to the states of the constituent universes by quantum superposition, and is described by a single universal wavefunction. This is related to Richard Feynman's multiple histories interpretation and H. Dieter Zeh's many-minds interpretation.

Another theory, the string landscape theory, asserts that a different universe exists for each of the very large ensemble of solutions generated when ten dimensional string theory is reduced to the four-dimensional low-energy world we see.

A multiverse (or meta-universe) is the hypothetical set of multiple possible universes (including our universe) that together comprise all of physical reality. The different universes within a multiverse are sometimes called parallel universes. The structure of the multiverse, the nature of each universe within it and the relationship between the various constituent universes, depend on the specific multiverse hypothesis considered. According to Max Tegmark the existence of other universes is a direct implication of cosmological observations. Tegmark describes the set of related concepts which share the notion that there are universes beyond the familiar observable one, and goes on to provide a taxonomy of parallel universes organized by levels. To clarify terminology, George Ellis, U. Kirchner and W.R. Stoeger recommend using the term “the Universe” for the theoretical model of the whole of space-time in which we live; “universe domain” for the observable universe or a similar part of the same space-time, “universe” for a general space-time—either our own “Universe” or another one disconnected from our own; “multiverse” for a set of disconnected space-times; and “multi-domain universe” for the model of the whole of a single connected space-time using chaotic inflation models.
Various versions of the multiverse thoery include:


1) open multiverse (spatially unbounded universe);


2) bubble theory (an infinite number of open multiverses, each with different physical constants); and


3) big bounce (After the big bang, the universe expands for a while before the gravitational attraction of matter causes it to collapse back in and undergo a Big bounce. Although the model was abandoned for a time, the theory was revived in brane cosmology as the cyclic model.).

Often the alternate worlds theme in science fiction is framed by postulating that every historical event spawns a new universe for every possible outcome, resulting in a number of alternate histories. Fantasy has long borrowed the idea of "another world" from myth, legend and religion. Heaven, Hell, Olympus, Valhalla are all “alternate universes” different from the familiar material realm. Modern fantasy often presents the concept as a series of planes of existence where the laws of nature differ, allowing magical phenomena of some sort on some planes. Wikipedia discusses some examples of these: “The popular MYST computer game franchise uses concepts of describing a world and then linking to that world, which is part of a multiverse of infinite possible and concurrently existing universes, matching the descriptions. Also, the computer game Legacy of Kain: Soul Reaver and its sequels feature two distinct parallel universes. The protagonist, Raziel, is capable of existing in both the Material Realm, or normal reality, and the Spectral Realm, a dark and distorted version of the former with its own physics and properties. The Michael Crichton novel Timeline featured a method for what appeared to be time travel by traveling to parallel universes that are identical except for the moment of their birth, thus rendering off-set yet parallel time. The DC Universe, famous home of Batman and Superman, uses the multiverse as the basis for their universe. This is in part to help deal with their 67 year history. In the 1980s DC published the ever popular Crisis on Infinite Earths which detailed a breakdown of the Multiverse at the hands of the Anti-Monitor. The television series Star Trek has many times gone into parallel "Mirror" universes, and Stargate SG-1 has postulated parallel universes.”

But, back to that 4-way stop and choices. Most of our many choices over a day are mundane ones, choices related to things we do subconsciously within the natural rhythm of our daily lives. Then there are those significant choices that we must make, which often grind our little rote existence to a halt. You know the ones: Should I move? Talk or keep silent? Confront or run away? Accept or deny? Fall in love...or not? These choices will change our lives and the lives of several others in some significant way. The possibilities aren’t as easily defined; they are often diverse with complicated and varied consequences. You have entered a different zone, another plain or existence from your “ordinary” world of mundane choices. Ecologists have a word for this in both spatial and temporal terms. The word is Ecotone. According to limnologist George K. Reid an ecotone “constitutes a ‘buffer’ zone, between two communities.” An example would be an estuary, which exists between the freshwater ecosystem of a river and the saltwater ecosystem of the open ocean. Ecotones are typically the most varied and rich community, representing a boiling pot of two colliding worlds. For me, this is a fitting metaphor, given that the big choices we must face in life are the ones that prove to enrich our lives the most for having gone through them.

Recommended Reading:
Tegmark, Max (May 2003). "Parallel Universes". Scientific American.


Ellis, George F.R., U. Kirchner, W.R. Stoeger (2004). "

Multiverses and physical cosmology". Monthly Notices of the Royal Astronomical Society 347: 921-936.
Lewis, David (1986). On the Plurality of Worlds. Basil Blackwell.


Deutsch, David (45841 1985). in Splash: Quantum theory, the Church-Turing principle and the universal quantum computer, Proceedings of the Royal Society of London A 400, mos craciun, 97-117.

iulianveza12@yahoo.com.

David Deutsch, extracts from
Chapter 14: "The Ends of the Universe" of The Fabric of Reality: The Science of Parallel Universes—and Its Implications (London: Allen Lane The Penguin Press, 1997), ISBN 0713990619; with additional comments by Frank J. Tipler.




Nina Munteanu is an ecologist and internationally published author of novels, short stories and essays. She coaches writers and teaches writing at George Brown College and the University of Toronto. For more about Nina’s coaching & workshops visit www.ninamunteanu.me. Visit www.ninamunteanu.ca for more about her writing.

Monday, October 8, 2007

The Novelist: Finding Your Muse


O Muses, O high genius, aid me now!
O memory that engraved the things I saw,
Here shall your worth be manifest to all!
—Dante Alighieri, Canto II of the Inferno


As a published author of novels and short stories I often get asked how and where I draw my inspiration from. How do I find my muse? And how do I keep it? (i.e.,, how do I defeat “writer’s block”?).

Friday, October 5, 2007

Friday Feature--Vinny

This is the view from the aft lounge of SF Girl's ship, the "IGG Intrepid" (Vinny, for short).

For today's Friday Feature, I'm featuring...ME! Well, actually, my intelligent ship, Vinny. Several of you had the fortunate experience of being kidna--er--a guest on my sentient ship and enjoyed this spectacular view from my aft lounge. Okay, that looks suspiciously like a NASA vehicle in the foreground...bit of a traffic jam there...We got through it okay.

Vinny was graced, for instance, by Captain Jean-Luc Picard, who displayed the elegant poise and wisdom of a man at home in the vastness of space. He was so charming and gracious, accepting coffee from me when his prefered drink is Earl Grey tea. I do so love his warm and sincere smile...sigh...And he did send me a case of his wonderful Picard red wine. Thank you, Jean-Luc! When he isn't speeding around in his ship, harrassed--er--surrounded by his loyal crew, you can spot Jean-Luc lurking on Facebook or Shelfari under the pseudonym of Graham Seager.

When avante-garde scientist--and my personal hero--Dr. Lynn Margulus, stepped aboard Vinny she brought with her her bright light of scientific genius and courage that lingers still. She also left me with some really bad biology jokes. Here's one:

A boy was assigned a paper on childbirth and asked his mother, "How was I born?""Well honey..." said the slightly prudish mother, "the stork brought you to us.""Oh," said the boy, "and how did you and daddy get born?""Oh, the stork brought us too.""Well how were grandpa and grandma born?" the boy persisted."Well darling, the stork brought them too!" said the mother, by now starting to squirm a little. Several days later, the boy handed in his paper to the teacher who read with confusion the opening sentence: "This report has been very difficult to write due to the fact that there hasn't been a natural childbirth in my family for three generations." (LOL) Okay...but it's better than these:

How many evolutionists does it take to change a light bulb? Only one, but it takes eight million years.

How many biologists does it take to change a light bulb? Four. One to change it and three to write the environmental-impact statement.

Fantasy author, Jennifer Rahn, was delightfully composed and curious about Vinny, and enjoyed the view of our beautiful planet despite her fear of heights. I must thank you, Jennifer, for introducing Vinny to those wierd hair-slapping Fins (Apocalypta, who play a mean version of Metallica's Enter Sandman). She also used Vinny's services recently to do some dubious business with a rather questionable character named Jeff at the Texan Lounge on the Karnellian Lunar Base. As Jen said, "Nina's usually pretty busy, what with saving the Earth and all, but she's the only person I know in Canada who has a spaceship, and as always, she was happy to oblige." Thanks for the case of Traglet wine as payment, Jen (she was totally schooled at galactic poker--before paying me, I might add!). But you DO know that Traglet wine gives me indigestion, don't you, Jen? And I really don't care for the green residue left on the bottom from the live Traglets.

Science fiction author, Robert J. Sawyer was just like...well...Robert J. Sawyer! Rob was so at ease on board Vinny, slipping into Vinny's binary language and fixing things while he strolled along the hallways, helping himself to Traglet wine, residue and all (which didn't upset HIS system!). Not only did he apprehend all the facets of this organic-mechanized ship, but he increased Vinny's efficiency by 30%. Rob, we have a date for Vinny's 100ly tune-up! Okay? Toronto, here we come!

Philanthropist, SEO and internet extraordinaire, Karen Mason was elegantly graceful, composed and in command throughout her stay aboard Vinny, despite the passes my feisty robot, Harry, made at her (unbenounst to me, of course!). I don't think she minded so much (Harry is so cute!) And he did send her flowers to make up for his insolence. I've since put him through the circum-popo-stabilizer to adjust his circuitry (not quite like a lobotomy, but close). We'll see. I caught him writing love letters to Moya (Farscape's leviathan AI ship) yesterday. He's such a rake!
  • Here's a picture of Harry. He looks a lot like Clank (of Ratchet and Clank). Well, he should! I made him that way.

    So, for those of you who delight in science and technology, here are some more facts about Vinny:

    he is an organic-mechanized, totally sentient ship, capable of cognitive thought, with a personality of his own.

  • Vinny is also capable of faster-than-light speed (like all good SF ships). Mostly, Vinny taps into the dark matter of folded space, transmutates then reconfigures elsewhere, but sometimes he skims along the fabric of space like a frisbee. Scares the heebee-jeebees out of me when he does that.

  • The ship is equipped with a revolutionary bio-film plasma technology that ensures against any hypervelocity impacts and other irregular collisions.

  • Vinny is equipped with a fully functional greenhouse/biome in addition to a molecular replicator for both nutritious and easily accessible food.

  • He recycles everything including wastes, air, water, dreams, laughter, etc through a revolutionary system that provides him with the energy to run; all of which I am not permitted to divulge.

  • Okay...I'll tell you just a little bit: Vinny uses dream-waves for fuel, mainly through its passengers when in REM sleep, which activates theta rhythm generated in the dentate gyrus of the brain. Nanosensors attached to sleeping passengers transfer the theta waves via Vinny's neural network into wave-energy for the ship.

Here's a shot of Vinny. Okay, so he looks a little like Serenity (from Firefly). He should! I built him like that!

And, below, is a blow-up of my logo on the starboard bow of the ship.





Happy flying. If you're really nice to me, I might give you a ride aboard Vinny too (I prefer good old Earth wine to any of those universal exotic drinks, by the way. And you already know about my penchant for chocolate...)

Wednesday, October 3, 2007

A Different Hero’s Journey (As only Farscape can deliver)

A comment to my previous post, Christ-Figure in Movies/Books—Grace or Redemption?, by the ever-thoughtful and provokative Modern Matriarch, got me thinking again. Said our Matriarch: “I would argue that the ‘christ-figure’ iconography is not always intended by the writer, but is the result of western reader response. As Joseph Campbell pointed out, the archetypes exist across history and cultures.”

I'd like to explore this through the now-cancelled science-fiction/fantasy TV show, Farscape. (Check out my recent review of Farscape if you haven’t yet seen the show).

Tuesday, October 2, 2007

Christ-Figure in Movies/Books: Grace or Redemption?


In one of my previous posts (Fertility--Infertility & the Environment) I got into a rather lively discussion with a fellow blogger, Erik Hare, about the tendency in Western Culture mythos (in literature and in movies, particularly) to portray the main character in fiction as Christ figure and the ramifications of this choice. Erik lamented the separation that has occurred between Jesus the Teacher and Christ the Redeemer. I hadn’t really given this much thought until he brought it up. But his examples (e.g., Matrix and Harry Potter) and his discourse were so compelling, I've had to give it considerable thought. And here are my thoughts…