Why “District 9” Should Have Been the Most Important Movie of 2009

Science Fiction is in its very nature a symbolic meditation on history itself—Frederic Jameson, critic
We call them “prawns”: bottom feeders, vermin: feared and hated aliens who descended unannounced—and unwanted—over Johannesburg twenty years ago. Their massive starship hangs poised over the crowded city, casting a daily reminder that we are not alone in the universe.

The ship came and hovered in the hazy skies over Johannesburg, in a pall of silence. Humanity waited for something to happen; nothing did. A United Nations team was finally dispatched to investigate and what they found was not an imposing conquering force of great superiority but a million starving refugees in a shipwreck. Multinational United’s (MNU) Department of Alien Affairs housed them in a compound while humanity decided what to do with them.

Jackson leaps into the story mid-stride, effectively skipping twenty years of feckless inter-alien relations to a nexus in the storyline, where we find the aliens incarcerated in a ghetto that resembles the South African townships: they are essentially not allowed out. The analogy between the marginalization of the aliens and the South African segregationist policy of apartheid is obvious and further parallels Nazi Germany, Palestine and other scenarios of irrational prejudice and cruelty. The aliens even speak in a language that includes clicking that reflects many native South African languages. So, begins Peter Jackson’s film District 9.

Star Wars, Our 20th Century Myth

Over thirty years after the first Star Wars motion picture blasted its way through our movie screens May 25, 1977, the saga continues to live strongly in literature and cinema. To date, six films and three animated series for television were made, with a live-action series and a 3D CGI animated series in pre-production as well as a 3D CGI full-length theatrical movie, The Clone Wars, scheduled for U.S. release on August 15, 2008. The six films alone have generated over $4.3 billion in revenue to date, making them the third highest grossing film series.

Although the current Star Wars New Jedi Order series (its 27th and last installment released in spring of 2004) leaves much to be desired from a literary standpoint, loyal fans of the Star Wars phenomenon, including, alas, yours truly, have persisted with the series, helping it maintain a place in the New York Times Bestsellers list. How did this come to be? Why do we read on despite our better judgement about literature and art? To understand the enduring success of a shallow plot-driven adventure series is to understand the basis for its creation: the original Star Wars concept as realized by George Lucus. The answer lies in one word: myth.