Saturday, August 28, 2010

The Hero’s Journey in Darwin's Paradox: The Iroquios Locks

Toulouse and I recently embarked on another road trip from Nova Scotia west through Toronto and beyond. Somewhere between Saint-Louis-du-Ha! Ha!, New Brunswick, and Montreal, I had a eureka moment: why not follow Julie’s momentous trek across the future Ontario heath toward Icaria-5 (Toronto), as she follows her “hero’s journey” toward redemption and securing safety for her threatened family.

Julie Crane is the hero in my SF thriller Darwin’s Paradox. She’s a uniquely gifted veemeld (someone able to communicate directly with the AIs of the city through a device), and was the first recipient (at age 5) of the artificial virus, Proteus (before it mutated), which allowed her, alone of all veemelds, to talk to her AI “in her head” whenever and wherever she pleased. She could also “hear” and eventually “speak” to the sentient virus through her mind-link with SAM, her AI.

Exiled to the wilderness by the enclosed city (Toronto) for a murder she didn’t commit and a plague she didn’t spread, Julie forges a life near present-day Cornwall with her mate, Daniel, and bears a child, Angel. Serendipitously, Aard, a scruffy hermit, joins them and teaches them how to survive and make a good life in the heath. Julie never loses her inexplicable longing to return to Icaria-5 and twelve years later, when assassins (government subversives) threaten her family, she journeys to the city to lure her attackers from her family and to purchase their safety. Meanwhile Icaria-5’s current mayor, Gaia, has orchestrated Julie’s abduction. She plans to exploit Julie’s unique talent for hearing machines in her head through the artificial intelligent virus (Proteus) inside her. Violent dissidents (the assassins after her) fear Julie as the carrier of the once-deadly version of the virus, Darwin Disease, and simply want her dead. With both parties chasing her, Julie embarks on a perilous quest and full-throttle collision course with her past (see the prequel, Angel of Chaos, scheduled for release later this year with Dragon Moon Press).

On the second day she reached the great Saint Lawrence River at the remnants of the small village of Iroquois. Julie made out the seaway locks and the dam as she waded through the hummocky wetland of sedges and purple loosestrife. Overgrown and crumbling from disuse, the locks used to control the river’s fluctuating levels and linked the northern shore, once a part of Ontario, Canada, to the south shore that used to belong to New York State in the United States of America. Now it was all simply Icaria’s North Am.

The Iroquois Locks formed part of an extensive navigation system of dams, powerhouses, locks, channels and dikes that made up the St. Lawrence Seaway, linking the Atlantic Ocean to the Great Lakes. Julie imagined the deep-voiced grinding of those locks a hundred years ago, serving the constant traffic of heavy cargo ships and pleasure boats. Now these monoliths languished under a thick mantle of moss and scrub in a quiet breeze, ghosts of a bygone age.
Toulouse and I reached Iroquois just ahead of a looming thunderstorm. We watched a large freighter pass through the lock in the brief sunshine to a dark charcoal colored sky. Lightning blazed and thundered behind us as the ship lumbered along, barely competing with Nature’s power. It was nonetheless impressive. I thought of Julie standing there in the awesome quiet of the place, hearing ghosts…

The Iroquios lock, operated round the clock seven days a week, allows ships to bypass the dam, which controls the level of Lake Ontario. The Iroquios lock is just one part of the extensive Saint Lawrence Seaway system of locks, canals and channels that let ocean-going vessels travel from the Atlantic Ocean to the Great Lakes (as far as Lake Superior) and jointly managed by Canada and the U.S. Started as early as 1783, this series of navigation aids consists of a Montréal to Lake Ontario section, which includes the 33 km South Shore Canal that bypasses the Lachine Rapids (providing a lift of 13.7 m to the level of Lake St. Louis; the 25.9 km Beauharnois Canal with two locks that provide a 25 m lift around the Beauharnois hydroelectric power dam. Another 46.7 km of canal stretches to Cornwall. This is followed by a 70+ km of canals from Cornwall to Prescott and then on to the Iroquios lock on Lake St. Lawrence, which joins to Lake Ontario. Together all the locks between Montréal and Lake Ontario and lift a westbound vessel about 69 m.

The Welland Canal diverts vessels around Niagara Falls, joining Lake Erie and Lake Ontario. The St. Mary’s Canal links Lake Huron to Lake Superior, four parallel locks on the US side that lift westbound vessels 6.4 m to bypass the St. Mary’s rapids.

Next in Julie's journey, the bridge to the United States…





Nina Munteanu is an ecologist and internationally published author of novels, short stories and essays. She coaches writers and teaches writing at George Brown College and the University of Toronto. For more about Nina’s coaching & workshops visit www.ninamunteanu.me. Visit www.ninamunteanu.ca for more about her writing.

Friday, August 6, 2010

Join Nina for a Free Writing Webinar

Nina, the Writing Coach
Are you looking to get published? What’s stopping you?

Join me for a FREE Webinar through Writer’s Digest University on how to improve your writing and succeed in getting published.

I'm joined by journalist and editor Vernon Oikle on “Toolkit Talks", a conversation in which we share great tips on how to get published. We answer some commonly asked questions provided by Writer’s Digest Magazine editors; questions faced by writers getting started as well as those finding their career stagnating. Learn some of the secrets writers use to jumpstart and keep their career in upward motion. Get the answers you need to get published.

What’s the difference between a writer who publishes and one who isn’t publishing? It’s often not talent or storytelling ability; it’s more ofen attitude, organization and drive. For instance, do you suffer from any of the following?

• You have cool ides but have trouble getting started

• You've been writing forever but can't finish

• Time & schedules are getting in the way

• You're lost in a sea of plot & characters

• You're scared of getting rejected & being ridiculed

• You're scared of living a dream

Join my free webinar where I answer frequently asked questions that came straight from Writer's Digest! Questions whose answers will help you get published:

• What resources and tools do you recommend for writers?

• Which do you think aren't worth the time?

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• How do you balance plot and characters in your story?

• What are the elements of a strong hero? What are the elements of a strong villain?

• How do I know if my story moves too slowly or too quickly? How do I fix it?

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• How do you choose the right point of view for your story?

• Should I outline before I begin writing a story?

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Register for my free webinar by August 20th to view this on-demand webinar (meaning you can register and view it any time you want) and you may have access to additional materials and be eligible for additional perks.

Hope to see you there!


“The Writer’s Toolkit” DVDs Coming Soon!

For those of you waiting to purchase my DVD set of “The Writer’s Toolkit“, a 3-disc DVD collection based on “The Writers Toolkit” workshops--your wait is almost over!.

These three major workshops cover ”How to Get Started and Finish”, “Craft of Writing” and “Marketing” your writing. The DVDs will be available shortly (third week of August, 2010) for purchase on The Passionate Writer. Here’s what students of “The Writer’s Toolkit” said:

“I felt inspired to look at my writing again…I found my ideas unlocked, problem areas exposed and strengths endorsed.”–Jane Morrell

“Nina was very relaxed, informal, very knowledgeable and interesting…She gave a lively presentation and gave lots of examples to relate to.”—Lauren Seaton

“Nina encouraged me to actually start my novel. She is very good, easy to understand.”—Patricia Slauenwhite

“Nina was engaging and inspiring… I was able to use specifics that were discussed to immediately improve my writing.”—Susie Buck

“I found what I had been searching for a long time.”—Candice Croft

“What you’ve done for me, Nina, is you’ve just opened up a whole new world. You’ve shown me how to put soul into my books … You’ve transformed me from what I considered an oddball to somebody special and for that it’s worth a fortune.”–Hectorine Roy


Guests of Nina’s Writer’s Digest Webinar will be eligible for a special price.




Nina Munteanu is an ecologist and internationally published author of novels, short stories and essays. She coaches writers and teaches writing at George Brown College and the University of Toronto. For more about Nina’s coaching & workshops visit www.ninamunteanu.me. Visit www.ninamunteanu.ca for more about her writing.


Sunday, August 1, 2010

The Samaritan Paradox Revisited: The Karma Ran Over the Dogma

Scientists have long puzzled why in a so-called “survival of the fittest Darwinian world” perfect strangers “paradoxically” volunteer to help others even when such aid may come at some cost to themselves.

Scientists and philosophers from the fifth century to the present day (e.g., Augustine of Hippo, Michal de Montaigne, Thomas Henry Huxley and Richard Dawkins to name a few) have contended that humankind’s goodness is just a veneer over a morality that is rotten and self-serving at its core. Some suggest that no act of “unsolicited pro-sociality” (“other-regarding preferences”) can be characterized as wholly unselfish. There is always something to be gained from the act, they insist, even if it is only to “feel good”.

In the Primiere January 2005 issue of Scientific American Mind, Ernst Fehr and Suzann-Viola Renninger published an article entitled “The Samaritan Paradox” that discussed experiments they conducted with University of Zurich students. In April of 2010, I had the opportunity to hear Fehr recount his experiments at the Mind and Life Conference attended by the Dalai Lama in Zurich and his position had not changed.