Wednesday, April 4, 2018

Nina Talks Water with Grade 8 classes on World Water Day




Nina with Grade 8 class talk about water
On World Water Day, at the kind invitation of Alene Sen (supervisor and coordinator for the City of Mississauga at the Mississauga Valley Library) I talked to some 100 Grade 8 students about water. Several classes, in groups of about fifty students each, came at tandem to the library to learn something about water.

I had about half an hour to prime them with something that would spark their interest and which they could take home and think about—and possibly apply in stewardship.

I started the talk by explaining that I’m a limnologist—someone who studies freshwater—and that water is still a mysterious substance, even for those who make it their profession to study.  After informing them of water’s ubiquity in the universe—it’s virtually everywhere from quasars to planets in our solar system—I reminded them that the water that dinosaurs drank during the Paleozoic Era is the same water that you and I are drinking.

We briefly reviewed some of water’s most interesting anomalous and life-giving properties such as cohesion and adhesion—responsible for surface tension and water’s capillary movement up trees. Below is an excellent 5-minute YouTube video “The Properties of Water” that describes these properties well.



I reviewed the circle of life and energy in an aquatic ecosystem and used the grey whale as an example to study trophic cascades and the balanced trophic cycle—with an endnote on the whale’s significant role in influencing climate.
I introduced each class to the incredible and very tiny Tardigrade, also known as the water bear or moss piglet, with magical properties of its own. The 4-minute TED video by Thomas Boothby is particularly instructive and entertaining.



I then showed the class an image of the Three Gorges Dam in China and reported how as a result of so much dam-building and retention of water—and because most dams are located in the northern hemisphere—we have slightly changed how the Earth spins on its axis. We’ve sped its rotation and shortened the day by 8 millionths of a second in the last forty years.

Water needs to constantly move. The Water cycle moves through the planet in all three forms (vapour, liquid and ice), over land and sea and through the earth, but also through all life. We are part of that cycle. We drink it and get immersed in it; we also breathe water in with every breath we take and breathe it out with every breath we exhale.
We are water; what we do to water, we do to ourselves.
I invited the class to discuss things we could do to help water as it moves through the planet. We talked about things we could do at home, with our friends, in our school and community to help water. Things like planting a tree in your back yard; adopting a nearby stream and taking care of it; organizing a beach clean-up; deciding to do something at home to waste water less.

Each action is a small thing. But that is how large things happen, through the accumulation of small things. And with every “small” action is a small shift in thinking, which leads to the kind of leadership that will change the world and make it a better place—for water and everything that depends on it.

Alene kindly sent me an image of the billboard she created at the Mississauga Valley Library with the Valleys Senior Public School students responses to the question: "What can we do to help water?"

Valleys Senior School students response to water question



You can read so much more about water in my book “Water Is…”. Go see what people are saying about “Water Is…”



nina-2014aaaNina Munteanu is an ecologist, limnologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books. 

Friday, March 30, 2018

Nina Talks "Water Is..." on CIUT Radio for Water Week


Host Saryn with Nina, CIUT
The morning after World Water Day--before my regular duties at the health sciences writing centre in UofT's Pharmacy Building--I made my way to Hart House on the University of Toronto campus.

I was heading to talk with Saryn Caister, host of The Green Majority CIUT Radio 89.5 FM about water and my book "Water Is...". It was Canada water week, after all!

You can listen to it here:




Campus view from CIUT lounge
CIUT is located on the first floor of the prestigious and gorgeous old building that houses the student activity centre. Established in 1919, the Gothic-rivival complex by architect Henry Sproatt is one of the earliest North American student centres that includes a gymnasium, swimming pool, shooting range, theatre, art gallery, reading and sitting rooms, lounges, auditoriums, library, music rooms, restaurant and--of course--the campus and community radio station, owned and operated by the University of Toronto.

In the interview, we talked about some of water’s anomalous properties and why I decided to write a book that spans and integrates such a wide variety of angles and subjects from traditional science to spirituality. We discussed some of water’s controversial properties and the claims about water having memory and quantum properties and how geopolitics plays a role in this discussion. 

I brought in my own career as a limnologist and how and why I broke away from my traditional role of scientist to create a biography of water that anyone can understand—at the risk of being ostracized by my own scientific community (just as Carl Sagan and David Suzuki were in the past for being too 'accessible' to the public).


Saryn shared how Ray John Jr., an Indigenous teacher, on a previous show reminded us why these things matter. I responded with, the "why" of things and hence the subtitle: the Meaning of Water. "What does it mean to you… That’s what’s missing a lot of the time. We are bombarded with information, knowledge and prescriptions but the subliminal argument underneath—the why—why should it matter to me—is often missing. That becomes the sub-text. And it’s nice when it comes to the surface. The indigenous people… they get it, they get it.”


Hart House, University of Toronto



Saturday, March 24, 2018

Venture To “The Beyond”: a movie by VFX Wiz Hasraf Dulull

The Beyond is a 2018 science fiction thriller, set in the near-future, that explores the evolution of our humanity through “first contact.”

The sudden appearance of a wormhole causes the disappearance of astronaut Jim Marcell during EVA on the space station, followed by associated calamitous phenomena on Earth. Giant dark spherical clouds then appear and settle all over the Earth, disrupting the world’s population, and setting in motion a series of fearful and aggressive reactions by various sectors of humanity; as expected, the military of each nation mobilize, ready to attack. Some do attack, with no consequence.

With the help of the military’s groundbreaking transhumanism technology, the international space agency sends two transhuman (Human 2.0) astronauts into the wormhole (called the Void) on an information-seeking (and peace-seeking) mission. The astronauts have been modified by advanced robotics to withstand the pressures of the “throat” of the wormhole as they embark on humanity’s first interstellar—possibly inter-dimensional—journey in search of extra-terrestrial sentient life and its intent. One of the astronauts is a soldier, armed with additional weapons built into his physiology. The other is the Space Agency’s chief cosmologist, Jessica Johnson (played by Kosha Engler). 

Wormhole viewed from the International Space Station
When the mission returns unexpectedly, and without the soldier, the space agency races to discover what happened on the “other side.” Of particular interest is evidence indicating that the ship had been away much longer than the days it was actually gone. Johnson later reveals that the soldier had suddenly disappeared from the cockpit and reappeared outside. She saw him stare at his arm, which then detonated like a nuclear bomb—no doubt because his arm was indeed something of that nature.

Jessica as Human 2.0
The tag line of the movie says: “to find our place in the universe, we must venture beyond our boundaries.” This imaginative indie film by Hasraf Dulull is all about breaking boundaries and transcending beliefs: such as mission director Gilian’s first lie to her daughter (to contain a bigger lie by the space agency); and chief cosmologist Jessica conquering ethical barriers to embark on a journey that will irrevocably change her.

Gilian and Grant watching the take off
The story unfolds like a docu-drama, making use of interviews with key people and retrieved footage amidst dramatic narrative (similar to Blomkamp’s District 9). The mixed narrative creates an immediacy that grips us emotionally and deeply connects us to the characters in a real-life way. Characters are portrayed as ordinary people who find themselves in extra-ordinary circumstances and performed with genuine candor, particularly the mission commander Gillian Laroux (Jane Perry) who plays a Canadian.

The Beyond appeals to our senses and sensibilities, challenging our assumptions and definitions of what it is to be human through our values, hopes and fears. Told with an unassuming realism, The Beyond is really a simple, yet deeply meaningful story that asks the big questions—and leaves it for us to answer them.

One of the dark orbs over Earth
The climax, discovery and resolution is really more of a question. I was somehow unprepared for the discovery and emotionally struck by its trajectory into the denouement. Some reviewers on the Internet were off-put by the shift following “the discovery” that preceded the denouement at the end. I found closure for the chief cosmologist, who had sacrificed her life to seek answers and find a solution for humanity; however, the question remained: what is that solution for humanity? What does that solution look like and how does it encompass more than us? The movie doesn’t have a tidy end; its solution is veiled with more questions.

Catastrophe...
The film ends with a cautious hope, implicitly asking that big question: are we (humanity) worth saving? When Jessica asks why humanity was offered a second chance by benevolent beings way beyond our comprehension, the returned Jim Marcell (currently a spokesman for the aliens) shows her the GAD (Golden Archive Drive with video images of Earth and humanity—basically our “hello” message to extra-solar life like the one placed onboard NASA’s Pioneer missions) that had accompanied the ship into the wormhole. The message displayed scenes of mothers and their children, people laughing in joy; it also showed scenes of other aspects of this beautiful planet worth saving: the ocean surf, the forests and wildlife. In our hubris, we have lost our perspective about this planet. Perhaps, it wasn’t so much humanity the alien beings intended to save but the Earth itself; we just come along with it. The Earth is, after all, a beautiful, vital and unique world, rich with life-giving water, trees, animals, creatures of all kinds in a diverse network of flowing and evolving beauty. A planet worth saving and that, frankly, functions better without us.


So, the question remains: is humanity worth saving? For centuries we have hubristically and disrespectfully used, discarded and destroyed just about everything on this beautiful planet. According to the World Wildlife Federation, 10,000 species go extinct every year. That’s mostly on us. They are the casualty of our selfish actions. We’ve become estranged from our environment, lacking connection and compassion. That has translated into a lack of consideration—even for each other. In response to mass shootings of children in schools, the U.S. government does nothing to curb gun-related violence through gun-control measures; instead they suggest arming teachers. We light up our cigarettes in front of people who don’t smoke and blow deleterious second-hand smoke in each other’s faces. We litter our streets and we refuse to pick up after others even if it helps the environment. The garbage we thoughtlessly discard pollutes our oceans with plastic and junk, hurting sea creatures in unimaginable ways. We do not live lightly on this planet. We tread with incredibly heavy feet. We behave like bullies and, as The Beyond points out, our inclination to self-interest makes us far too prone to suspicion and distrust: when met with the unknown, we respond with fear and aggression rather than curiosity and hope. Something we need to work on if we are going to survive.

As I mentioned above, The Beyond is a simple film made well; something not easy to accomplish. The film delved into existential questions with an emotional intelligence that was both sensitive and insightful. As Gillian Laroux says in the end: “I hope we won’t make the same mistakes of the past and prove that we are in fact worth saving.” Ultimately, I found The Beyond a refreshing change from the senseless soul-gutting violence, and sordid aimless or overly-complicated plots that currently populate most of our current science fiction TV and movies.

The Beyond marks the directorial debut of Dulull, a VFX wiz who spent a year shooting and working on this project (previously titled The Void). Changing the title from The Void to The Beyond is itself an interesting shift in what the film represents and suggests.


Let us tread more lightly on this planet, then…And perhaps we too will be worth saving. Perhaps our destiny won’t be a void but a transcendence beyond…


nina-2014aaaNina Munteanu is an ecologist, limnologist and internationally published author of award-nominated speculative novels, short stories and non-fiction. She is co-editor of Europa SF and currently teaches writing courses at George Brown College and the University of Toronto. Visit www.ninamunteanu.ca for the latest on her books.